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Curated by Hans Ulrich Obrist, Do It began in Paris in 1993 as a conversation between the artists Christian Boltanski and Bertrand Lavier and Obrist himself, who was experimenting with how exhibition formats could be rendered more flexible and open-ended. The discussion led to the question of whether a show could take “scores” or written instructions by artists as a point of departure, which could be interpreted anew each time they were enacted. To test the idea, Obrist invited 13 artists to send instructions, which were then translated into nine different languages and circulated internationally as a book. Within two years, Do It exhibitions were being created all over the world by realizing the artists’ instructions. With every version of the exhibition new instructions were added, so that today more than 300 artists have contributed to the project. Constantly evolving and morphing into different versions of itself, Do It has grown to encompass “Do It (Museum),” “Do It (Home),” “Do It (TV),” “Do It (Seminar)” as well as some “Anti-Do Its”, a “Philosophy Do It” and, most recently, a “UNESCO Children’s Do It.” Nearly 20 years after the initial conversation took place, Do It has been featured in at least 50 different locations worldwide. To mark the twentieth anniversary of this landmark project, this new publication presents the history of this ambitious enterprise and gives new impetus to its future. It includes an archive of artists’ instructions, essays contextualizing Do It, documentation from the history of the exhibition and instructions by 200 artists from all over the world selected by Obrist, among them Carl Andre, Jimmie Durham, Dan Graham, Yoko Ono, Christian Marclay and Rosemarie Trockel, including 60 new instructions from Matias Faldbakken, Theaster Gates, Sarah Lucas, David Lynch, Rivane Neuenschwander and Ai Weiwei, among many others.
- Sales Rank: #938464 in Books
- Published on: 2013-04-30
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x 8.00" w x 1.50" l, 2.65 pounds
- Binding: Paperback
- 448 pages
Review
Celebrating the 20th anniversary of Obrist's ongoing curatorial experiment, this anthology collects 250 "scores"―written instructions for the production of an artwork―from the artists invited to participate in the 50 iterations of the globally traveling "do it" exhibition to date. (Editors Art in America)
Obrist recruited more than 60 artists (icluding Ai Weiwei and David Lynch) to write instructionsfor creating all manner of works, which have been interpreted by others and put on display alongside those directions. (Jonathan Aprea Time Out Magazine)
About the Author
Marina Abramovic pioneered the use of performance as a visual art form. The body has always been both her subject and medium; exploring the physical and mental limits of her being, she has withstood pain, exhaustion and danger in the quest for transformation. Her career began in Belgrade during the early 1970s, and her work has since appeared at The Museum of Modern Art, P.S.1 Contemporary Art Center and The New Museum in New York; the Hirshhorn Museum in Washington, D.C., the High Museum of Art in Atlanta, and many others. She has won a Bessie, as the New York Dance and Performance Award is called, and the Venice Biennale's Lion D'Or.
John Baldessari was born in National City, California in 1931, and lives and works in Santa Monica, California. His work has been exhibited in museums such as The Solomon R. Guggenheim Foundation, New York, and in art galleries worldwide. He has also recently curated exhibitions at The Hirshhorn Museum and Sculpture Garden, in Washington D.C., The Museum of Modern Art, New York and The Museum of Contemporary Art in Los Angeles. He is represented by Marian Goodman Gallery in New York.
Matthew Barney (b. 1967) has exhibited all over the world, with solo exhibitions at the San Francisco Museum of Modern Art and the Guggenheim Museum, among others. His work has been included in international group shows, including the Whitney Biennial and the Carnegie International. Barney was awarded the Europa 2000 prize at the 1993 Venice Biennale and was the first recipient of the Guggenheim Museum's Hugo Boss Prize in 1996.
Christian Boltanski was born in Paris in 1944. His numerous solo exhibitions include shows at the Museum of Fine Arts, Boston; the Kemper Museum of Contemporary Art & Design, in Kansas City, Missouri, and the Contemporary Art Museum in Houston. He has shown four times at the Venice Biennale. Boltanski is represented in New York by the Marian Goodman Gallery.
Born in 1911 in Paris, Louise Bourgeoiswas raised in a household that famously included her father's mistress, who was also Louise's nanny. She studied philosophy and mathematics before turning to art in 1934, and over the next few years studied at various art academies and in the atelier of Fernand Leger, among others. She moved to New York in 1938 with her new husband, American art historian Robert Goldwater. Her first U.S. showing was in a print exhibit at the Brooklyn Museum, and over the next 50 years, she exhibited consistently in solo and group shows. In 1982, Bourgeois was the subject of the first retrospective ever given to a woman artist at The Museum of Modern Art, New York, and her work has remained in the spotlight ever since.
Liam Gillick was born in Aylesbury, Great Britain, in 1964 and studied at Hertfordshire College of Art, and Goldsmiths College, London. Often combining text and installation, Gillickis work frequently investigates economics and aesthetics in modern society. A finalist for the Turner Prize in 2002, his work has appeared at Documenta in 1997 and at The Museum of Modern Art, New York in 2003, as well as in numerous solo shows worldwide. He lives and works in London and New York.
Mona Hatoum was born in Beirut, Lebanon, in 1952 and came to London in 1975. She was shortlisted for the Turner Prize in 1995 and has had solo exhibitions at the Centre Georges Pompidou in Paris, Castello di Rivoli in Turin, the Museum of Contemporary Art, Chicago, and Tate Britain, among others. She recently curated Artist's Choice at The Museum of Modern Art, New York.
Joan Jonas was born in 1936 in New York, where she currently lives and works. She received an M.F.A. in Sculpture from Columbia University, New York, in 1965. Her first performance retrospective was at the Stedelijk van Abbemuseum, Eindhoven (1979) and her first US retrospective was at the University Art Museum, Berkeley (1980) (Van Abbe Museum, Eindhoven, 1981). She has exhibited at The Museum of Modern Art, New York; the Whitney Museum of American Art, New York; The Institute of the Contemporary Art, Boston, MA; The Kitchen, New York, and Pat Hearn Gallery, New York. Jonas has had major retrospectives at the Stedelijk Museum, Amsterdam (1994), and Galerie der Stadt, Stuttgart, Germany (2000), and was represented in Documenta 11, Kassel, Germany (2002).
Mike Kelley, one of the most controversial, prolific and influential figures in contemporary art, was born in 1954 in Detroit, Michigan, and earned a Bachelors degree from the University of Michigan and a Masters from California Institute of the Arts. His work, often wickedly humorous and drawing on both high art and the vernacular with distinctively American iconography, ranges across media such as drawing, painting, sculpture, music, performance, writing and video projects, the last often in collaboration with artists such as Paul McCarthy, Raymond Pettibon and Tony Oursler. In 1993, The Whitney Museum of American Art held a major retrospective of his work. He lives in Los Angeles, and is a member of the graduate faculty at Art Center College of Design, Pasadena.
Alison Knowles was born in New York City in 1933, and graduated from the Pratt Institue of Fine Art in Brooklyn. In the 60s she worked for Special Editions Press doing silkscreens and was associated with the Fluxus movement. Her installtion The Big Book was realized in New York and toured Canada and Europe before finally collapsing in California in the mid-seventies. Her second walk-in book, The Book of Bean opened in Venice in 1983. Her computer instigated dwelling The House of Dust is on permanent display in California. Her other titles include Bread and Water, Spoken Texts, and A Bean Concordan.
Hans-Ulrich Obrist was born in 1968 in Zurich, Switzerland. In 1993, he founded the Museum Robert Walser and began to run the Migrateurs program at the Musee d'Art Moderne de la Ville de Paris where he served as a Curator for contemporary art. He presently serves as the Co-Director of Exhibitions and Programs and Director of International Projects at the Serpentine Gallery, London.
Most helpful customer reviews
23 of 25 people found the following review helpful.
an unusual, clever, and fun angle on contemporary art
By A Customer
The editor/curators of this book got 50 contemporary artists to each write down instructions for a do-it-yourself art project, for the reader to try. Each is a small revelation of the artist, and a thought-provoker in itself. It's intelligent and fun -- a very clever expression and extension of contemporary art. It's just the thing for anyone who wishes they were artistic: you read an entry, and have the curious sensation that, not only is the project something you could do, but it would be an actual participation in the contemporary art world, pre-endorsed by prominent artists and curators.
3 of 3 people found the following review helpful.
Excellent ideas for creating art using a variety of media!
By Estevan Gorro
This is a great book that contains a wide variety of ideas for creating art--using a wide variety of media and digital tools. The 'Do It!' project began in the early 1990's and continuues until today. The concept behind the book is to allow a wide range of artists to provide 1-2 page instructions on how to create an art work that could be created by anyone and displayed at a 'Do It!' exhibition. The book is full of a lot of interesting and fun ideas for creating art works.
2 of 2 people found the following review helpful.
Fantastic!
By Janine D
I absolutely loved this book! It's gorgeous and super engaging. This is a book of instructions for art, rather than pictures of art -- so could you take a hands-on approach and try to `do it yourself'. The instructions have been contributed by a really exciting range of artists, and each is kind of a fun insight into their work and mindset. It's an experience rather than just a read -- If you are interested in contemporary art and want to rediscover it in a new light, I would definitely recommend picking up "Do It!"
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